Posted May 10th 2008 4:06PM by Rigel Gregg Filed under: Art
Interested in owning the skull of a martyr or the tooth of a saint? Apparently lots of people are, as the market for religious artifacts is booming. It takes a lot of faith to both be in the business of dealing holy relics and in that of buying them, as very few can be proven authentic beyond a shadow of a doubt. Although many newer pieces (i.e. objects touched by the Pope) are easily verified through photographs (when they're available) historical items from ages past are more about believing than anything else. And why else would you spend $975 on a wooden splinter from the True Cross that's so small you need a magnifying glass to see it, if you didn't simply believe?
Francis Bacon, that is. In this week's New York magazine, Marion Maneker, art world expert and author of the brilliant men's style book Dressing in the Dark, reveals how the Irishman who "painted meat and blurry popes" came to command $70 million per painting at auction these days. Before 2005, he hadn't crossed the $10 million mark.
Essentially, a bunch of billionaires bid up his work - buyout king Henry Kravis bought one for $35 million last year, and other bigwigs recently paid $53 million for one of those blurry popes and $43 million for a self-portrait (similar to the triptych above, which could fetch $35 million at Christie's next week). Maneker points out however it's also due to the fact that Bacon, who died in 1992, was literally "one of the last great oil painters." His entire estate was only worth £11 million when he succumbed to a heart attack at the age of 82 - less than one little picture would bring now.
Bring the woodsy outdoors charm into your home with this limited edition unique find. It's called the Meteor Table, it's made by Christa and it's an actual teak tree root that's been coated with bronze. Definitely a conversation starter in any home! I guess you can't rush such a ginormous and heavy package (750 pounds) via mail so it takes 6 months to arrive. Tree tables don't come cheap, this purchase will set you back $55,000! Of course I'm trying to figure out how I can start making these things! It's available on vivre.com, a very cool decor site.
A Francis Bacon triptych painted in 1976 is expected to fetch about $70 million in the star sale of Sotheby's Contemporary Art auction in New York on May 14. If the work, billed as the most important privately-held Bacon extant, does max out despite all the hand-wringing going on, the price will eclipse Impressionist claptrap like this $40 million Monet while still falling far short of some puffed-up Picassos. (The middle panel is pictured here; see the image gallery for the complete piece.) Back in February, a Bacon triptych sold for $46.1 million at Christie's in London, slightly below estimate, though the one currently on offer is the better work in our opinion.
Also included in the stunning sale is Mark Rothko's 1956 Orange, Red, Yellow, expected to fetch in excess of $35 million; Jean-Michel Basquiat's beautiful Untitled (Prophet I), est. $9 - $12 million; Robert Rauschenberg's 1963 Overdrive, est. $10 - $15 million; Richard Prince's Millionaire Nurse, est. $3.5 - $4.5 million; a 1986 Andy Warhol self-portrait, est. $2 - $3 million; an untitled Cy Twombly, est. $1.5 - $2 million; and a very naughty manga-inspired sculpture by Louis Vuitton collaborator Takashi Murakami, valued at an astonishing $3 - $4 million.
Designer Matt Carr found found two vintage coffee tables and was inspired to create a bookrack for his own home. Earning points for recycling and keepin' it green (possibly saving the tables from the landfill), he configured them into the Biblioteca Bookrack, offered by Umbra.
The shelves have a natural mahogany top and black lacquered legs. Dimensions: 44" x 37" x 11" (111 cm x 93 cm x 20 cm).
$525 on the Umbra site, but pssst, Unica Home offers it for $500.
As my colleague, J.P.S. mentioned when talking about an upcoming Christie's contemporary art auction, the economy may be sluggish but we don't think the art market is headed for a crash quite yet. Proof of that could be sen yesterday when Christie's auctioned off "Le Pont du chemin de fer a Argenteuil" a painting of a bridge by Impressionist Claude Monet. The painting brought in $41.181 million, setting a new record for the popular French artist and besting the estimate of $35 million to $40 million. The previous record for a Monet painting, $36.5 million for his 1904 "Nympheas," was set just last year. No word on who the buyer and seller are.
If the nude supermodels in Christie's' upcoming auction are a little out of your price range, but you'd still like to try your hand at starting a photo collection, check out Swann Galleries' NYC sale on May 15. While short on supermodels in their birthday suits, the Swann sale does have some high-profile and provocative celebrity pix at considerably lower prices than the Christie's event.
Highlights include Francesco Scavullo's 1984 portrait of Sting, est. $1,800 - $2,200, pictured here; Roy Schatt's 1954 photo of James Dean, est. $1,500 - $2,500; several works by Herb Ritts including a 1986 Madonna portrait, est. $4,000 - $6,000, and a muscle-bound Fred With Tires, 1984, est. $8,000 - $12,000; a 1977 Christopher Makos photo of Andy Warhol, est. $4,000 - $6,000; and Helmut Newton's 1981 full-frontal Sylvia in My Studio, Paris, est. $4,000 - $6,000. Catch a preview below.
The Polaris Floor Lamp is more like a piece of art than a lamp. Made of lacquered nylon that has been rotationally molded, it's a modern, clean piece that would work well in a corner or next to a bed or sofa. The lamp pivots, "revealing a different fluid vertical form on its satin steel footprint base." No fancy bulbs required, just one 300-watt halogen bulb (included). For atmosphere, use the floor dimmer.
A 2008 design by Marco Acerbis for Fontana Arte, it's available in glossy white, glossy black or glossy amethyst (aubergine/eggplant). Retromodern.com sells it for $1,840 (a 20% discount from the list price of $2,300). Measures 11.8" W x 76" H. Delivery in 2-4 weeks.
On May 13, Christie's New York will stage an incredible Post-War and Contemporary Art sale that could realize close to $400 million. Several museum-quality works are on offer among the 57 lots, and Christie's expects several records to be set. Highlights include Francis Bacon's 1976 Three Studies for Self -Portrait, estimated at $25 - $35 million; a morbidly obese Lucian Freud nude, billed as the most important Freud painting ever offered at auction, also est. $25 - $35 million; Willem De Kooning's 1975 Untitled IV, est. $10 - $15 million; several major works by Andy Warhol including his 1962 Campbell's Soup Can (Pepper Pot), est. $6 - $8 million, and his 1986 Self-Portrait, pictured here, est. $2.5 - $3.5 million; Jean-Michel Basquiat's 1987 Victor 25448, est. $4.5 million - $6.5 million; and many more. Some story-hungry members of the press may be rooting for an art market crash, but we're not buying it.
William (Bill) Stubbs, a Houston-based designer and one of Architectural Digest's top 100 designers, shares his knowledge and philosophy in 13 half-hour episodes of the new PBS series A Moment of Luxury. Presented nationally by WLIW New York, the series premiered nationwide this month (check local listings for your channel and broadcast time). Its aim is to make "the experience of luxury -- excellence, comfort and high quality -- accessible at any budget with transformational tips inspired by international locales and top experts. The website has lots to read, such as an episode guide, a list of Stubbs' travels and of course, a blog, so you can "create your own interaction with luxury." Don't we all want that?
On May 7, Sotheby's in London will stage an auction of important Sporting Art, headlined by two Sir Alfred Munnings equestrian paintings worth several million dollars. The top-priced piece of the sale is Munnings' "A Boy And His Pony - Portrait of Daffern Seal on Canary" painted in 1926. With an estimate of $3 - $5 million, it's one of the highest-priced equestrian portraits ever; however, it's worth noting that in 2004 Sotheby's sold a Munnings entitled "The Red Prince Mare," which had formerly belonged to Mr. and Mrs. John Hay Whitney, for $7.8 million, almost $2 million over estimate.
The second-highest lot in the May 7 auction is also a Munnings, "Portrait of Lady Barbara Lowther on Horseback" painted in 1919, with an estimate of $1.6 - $2.4 million. However, we happen to prefer the work of earlier artists such as Ben Marshall and John Frederick Herring, Sr., whose "The Match Between Priam and Augustus at Newmarket," painted in 1831 and pictured above, is estimated at $1 - $1.4 million -- a relative bargain.
Wine and art are like chocolate and strawberries -- a perfect combination. Who doesn't like the cultural expansion of art with the swirl, sniff, and sip of a fine wine. Under the mild skies of Paso Robles, California, Sculpterra Winery and Vineyard creates a scintillating space where both wine and art can be enjoyed outdoors. Less than five years old, Sculpterra boasts an award-winning Cabernet Sauvignon, balanced Chardonnay, refreshing Pinot Grigio and intense Petite Sirah. Most recently, two new blends called Statuesque and Maquette, joined the Sculpterra name. The sculptures have been created by John Jagger and are framed by a path-lined garden where guests can take in the experience.
Over their lifetime, Dorothy and Herbert Vogel have amassed an incredible collection of artwork from numerous artists from around the country. In choosing to share their collection with the nation, the Vogel's have decided to give fifty pieces of contemporary art to each of the fifty states where the art shall reside in one chosen institution per state. That is 2,500 artworks that the Vogel's slowly acquired on two moderate incomes since the 1960's. A number of museums and institutions were chosen to receive this gift from the Vogel's based on their personal relationship with those entities. A book and website are also dedicated to this incredible collection through partnerships with National Endowment for the Arts, National Gallery of Art and The Institute of Museum and Library Services.
For a brief shining moment it looked like art was going to be the next big thing in Las Vegas casinos, soon there will be only Las Vegas Strip museum now (the gallery in the Bellagio) that the Guggenheim Hermitage Museum in the Venetian is set to close on May 11. In 2001, the Guggenheim opened two Las Vegas museums designed by Rem Koolhaas: the Guggenheim Las Vegas and the Guggenheim Hermitage. The Guggenheim Las Vegas closed 15 months later after one showy exhibit dedicated to the Art of the Motorcycle. The Guggenheim Hermitage was a partnership between the Solomon R. Guggenheim Foundation and the State Hermitage Museum in St. Petersburg, Russia. The Guggeenheim Heritage saw shows by Lichtenstein, Johns, Oldenburg, Rauschenberg, Wesselmann, Beckmann, Degas, Picasso, Rubens, Miro, Chagall, Bonnard, Kandinsky, Modigliani and Klee but some say that the New York Guggenheim did not do all it could to help their Las Vegas outpost stay afloat. Others say that even with more exhibits the Guggenheim Hermitage struggled to create community interest. If you want to check out the museum, now is the time, they are offering free admission until the museum closes.
George Michael didn't buy Damien Hirst's diamond skull but he and his partner Kenny Goss have spent plenty on other pieces of contemporary art including many works by Damien Hirst. They are currently displaying works by Damien Hirst in a Dallas, Texas gallery. The Goss-Michael Foundation's exhibition includes "Saint Sebastian, Exquisite Pain," featuring a black calf whose body has been pierced with dozens of arrows and "The Incomplete Truth" which shows a dove in formaldehyde. Goss, who has been with George Michael for 12 years, is a native Texan. The pair enjoying collecting art in Britain and then bringing it to Dallas, previous exhibitions have featured James White and a tribute to Tracey Emin.
If the 
